A Short Rant on Endings
Here are two types of endings I greatly dislike.
#1. The There’s Another Book Ending. You are reading along, happily engrossed in the characters and plot, when you realize that there are only fifty pages left. How, you wonder, will the author manage to tie up all the loose ends before then? Unfortunately for you, she won’t. Instead, she’ll simply stop fifty pages later, and you’ll turn the page on an advertisement for book two or book four, to be released in hardback eight months from now, and in paperback a year after that. In this type of ending, there is no closure whatsoever, meaning that eighteen months later when you finally pick up the end of the story, you’ll be confused for the first half of the novel. The only way that this type of ending is forgivable is if it is blatantly advertised on the front or back covers, since a sudden “Surprise, there’s another book!” just doesn’t cut it with you.
#2. The What Just Happened Ending. This ending is either too abrupt or too abstract to give a satisfactory sense of resolution. Some of the many What Just Happened strategies include narrating the final chapter from an entirely new character’s perspective, killing the main character without explaining the significance of or achievement gained by his death, and failing to account for all the subplots or smaller stakes in a climax that is far too grandiose or too loftily described. You feel tricked by this ending, disappointed and angry because your investment, in a sense, did not pay off. Not only do you not know what just happened, but you also don’t know what happened to the quirky bookseller whose livelihood was dependent on the protagonist’s victory or whether the space-time continuum really was preserved when the white hole exploded with all those lovely streaks of light. This book, too, you would like to fling across the room, except that you are afraid of damaging its resale value.
Here is what I have learned: A book is like a contract between an author and a reader. The author promises to tell a complete story as well as she possibly can, and this reader, at least, promises to read as much of it as interests her. If an author tells an excellent and whole story, the reader will read the entire thing attentively and will feel, at the end, not angry but enriched.