I must admit that I first became attracted to this book because of its cover. A teal-blue-green with an open clock on the front, it was very aesthetic, simple and reserved. The title, too, Everyman, a clear allusion to the medieval morality play in which Everyman tries to avoid Death. I thought, I would like to read a book about one man’s fear of mortality. [I have a thing for tragedies.]
It wasn’t beautiful and sweeping because the protagonist’s life was not beautiful and sweeping. The short book (less than two hundred pages, a novella perhaps) has no action or ‘plot’ in the Hollywood sense. From the title alone you realize the protagonist will die, and he does, and all the story’s events happen in the past. Is it even an interesting life? I don’t know. He was not a particularly admirable person, just a person. He was Everyman.
Some lovely motifs–clocks and the sea, indicated by the well-designed cover. I don’t mean to say that you can deduce the book from its cover, but Everyman delivers exactly what it promises. It put me in mind of a book or article I read about Anne Tyler, something about the novel ‘of the middle years.’ Tyler writes about middle age :: Roth writes about the endgame. I enjoyed it, but the game does end.