Young adult authors who typically write fantasy should not write science fiction. That was why this second “Firebird” anthology, Firebirds Rising, was terrible. That’s right, I said terrible.
And the first one, Firebirds, was so good. I had stumbled upon it because it was the only place that a certain story of Sherwood Smith’s (Crown Duel) and of Megan Whalen Turner (The Thief) was published, and I wanted to read them. The other fifteen or so stories were a pleasant surprise; I recognized most of the authors, had read some of their novels, enjoyed most of the stories, and tagged the book in my mind as a good resource for short fantasy.
I actively sought out the second collection, but the editor’s note warned me what was coming up. Readers had apparently complained that the anthology lacked science fiction, so the editor included more this time. This was an enormous mistake, because fantasy and science fiction are not the same, and just because you can write one kind well, you are not guaranteed a good performance in the other.
As this collection proved. It wasn’t that feathered dinosaurs from outer space interbreeding with humans to keep from extinction was such a bad idea, but the story failed to answer the question Why? And it wasn’t that a human-alien mind-bonding partnership was so unoriginal (though it was), but not every scrap of dialogue needs a dialogue tag, and it’s a bad idea for double-mouthed aliens to sing harmony with themselves instead of speak. And adding layers upon layers obscure jargon for technology that is essentially email is also, dare I make the pun, alienating to the reader.
The fantasy, unfortunately, was nothing to speak of either. It wasn’t bad, but it was just so… full of Gothic angst. Sharon Shinn wrote just about like herself, which was commendable, and so did Francesca Lia Block, which was not. The single redeeming story was “The Wizards of Perfil” by Kelly Link, although since I figured out the ending halfway through, I can only give this collection
2.0 / 10.0.



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